The slim RF lens mount means that there isn’t much space between the sensor and the lens, however Canon has still managed to fit in a 10-stop optical ND filter. The built-in IS can work together with lens IS to give the best stabilisation.
Moving to the RF lens mount not only gives it size and weight benefits, but should also offer better autofocus speed and image stabilisation – in body it uses electronic IS rather than sensor shift IS, although in standard IS mode it doesn’t crop the image.
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It also has a full size HDMI output, offering 4:2:2 10-bit external recording. The C70 has dual mini XLR inputs, as well as a 3.5mm jack and dual (stereo) built-in microphones. Audio is an important consideration for the new camera, as Parry expects that many users will be upgrading from models with more rudimentary audio support. It also supports Dual Pixel CMOS auto focus and can record four-channel audio (as a separate file) at these high frame rates (something not possible on other Canon cameras). The C70 has the same sensor as the larger C300 Mark III and can shoot at up to 120 frames per second in 4K (4096x2160) and at up to 180p in 2K Super16 crop mode (2048x1080).
“It is also a great second camera for someone using a C300 or C500,” said David Parry, product specialist, Canon UK and Ireland. Its compact size and light weight (under 1.2kg) makes it more usable for self shooters, for use in confined spaces and on a drone or gimbal. The C70 replaces the current C100 entry-level Cinema EOS camera, and is a hybrid of a stills and video camera, designed to make it simpler for users used to smaller cameras to move to a serious video system. Canon: The new EOS C70 fitted with EF lens to RF mount adapter
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